Automatic Annotation and Modelling of Works in Eighteenth-Century (Music) Theatre
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2026
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| author | Galka, Selina Korol, Diana Zechner, Ingeborg Leitner, Jakob Braquet, Véronique Vogeler, Georg |
| author_facet | Galka, Selina Korol, Diana Zechner, Ingeborg Leitner, Jakob Braquet, Véronique Vogeler, Georg |
| contents | This paper presents a hybrid approach to annotating and modeling references to theatrical works in eighteenth-century theatre chronicles. As part of the FWF-funded project GuDiE (2024–2028), a digital critical edition of the Gumpenhuber chronicles is being developed using TEI/XML, alongside an RDF database based on performing arts ontologies. Due to the fluid and hybrid nature of historical theatre practices—such as pasticcio or cross-genre adaptations—works are modeled not as abstract entities but as expressions enriched with content types (e.g., music, text, choreography). To support the annotation process, Large Language Models (LLMs) were used for semi-automatic Named Entity Recognition and linking to a curated authority register. Results show that LLMs can reduce manual effort, though challenges such as ambiguity, disambiguation, and prompt sensitivity remain. This contribution reflects on the methodological and ontological implications of combining structured data modeling with historical complexity in digital scholarly editing. |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_18696428 |
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| publishDate | 2026 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | Automatic Annotation and Modelling of Works in Eighteenth-Century (Music) Theatre Galka, Selina Korol, Diana Zechner, Ingeborg Leitner, Jakob Braquet, Véronique Vogeler, Georg DHd2026 Paper Vortrag: Offenes Feld digital edition performing arts ontologies assertive edition Modelling Annotating Text This paper presents a hybrid approach to annotating and modeling references to theatrical works in eighteenth-century theatre chronicles. As part of the FWF-funded project GuDiE (2024–2028), a digital critical edition of the Gumpenhuber chronicles is being developed using TEI/XML, alongside an RDF database based on performing arts ontologies. Due to the fluid and hybrid nature of historical theatre practices—such as pasticcio or cross-genre adaptations—works are modeled not as abstract entities but as expressions enriched with content types (e.g., music, text, choreography). To support the annotation process, Large Language Models (LLMs) were used for semi-automatic Named Entity Recognition and linking to a curated authority register. Results show that LLMs can reduce manual effort, though challenges such as ambiguity, disambiguation, and prompt sensitivity remain. This contribution reflects on the methodological and ontological implications of combining structured data modeling with historical complexity in digital scholarly editing. |
| title | Automatic Annotation and Modelling of Works in Eighteenth-Century (Music) Theatre |
| topic | DHd2026 Paper Vortrag: Offenes Feld digital edition performing arts ontologies assertive edition Modelling Annotating Text |
| url | https://doi.org/10.5281/zenodo.18696428 |