HISTORICAL-EVOLUTIONARY DEVELOPMENT AND ORGANOLOGICAL CHARACTERISTICS OF THE OUD INSTRUMENT IN EASTERN MUSICAL CULTURE
Fuente:
Zenodo
Saved in:
| Main Author: | |
|---|---|
| Format: | Recurso digital |
| Language: | English |
| Published: |
Zenodo
2026
|
| Subjects: | |
| Online Access: | |
| Tags: |
Add Tag
No Tags, Be the first to tag this record!
|
| _version_ | 1866902270936875008 |
|---|---|
| author | Djurayev, Ali |
| author_facet | Djurayev, Ali |
| contents | <p><span lang="EN-US">This article provides a comprehensive study of the historical origins, structure, and cultural significance of the oud — one of the oldest and most prestigious instruments of Eastern music. The article traces the oud's development from the civilizations of Mesopotamia and Egypt through the Arab Caliphate, Persian, and Central Asian cultures, as well as its influence on the European lute. The contributions of great scholars al-Farabi and Ibn Sina to oud theory, its role in the Uzbek-Tajik Shashmaqom tradition, and contemporary performance schools are examined. The article demonstrates that over its 5,000-year history, the oud has evolved into a universal musical language uniting the cultures of diverse peoples.<strong> </strong></span></p> |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_18857611 |
| institution | Zenodo |
| language | eng |
| publishDate | 2026 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | HISTORICAL-EVOLUTIONARY DEVELOPMENT AND ORGANOLOGICAL CHARACTERISTICS OF THE OUD INSTRUMENT IN EASTERN MUSICAL CULTURE Djurayev, Ali oud Eastern music maqam <p><span lang="EN-US">This article provides a comprehensive study of the historical origins, structure, and cultural significance of the oud — one of the oldest and most prestigious instruments of Eastern music. The article traces the oud's development from the civilizations of Mesopotamia and Egypt through the Arab Caliphate, Persian, and Central Asian cultures, as well as its influence on the European lute. The contributions of great scholars al-Farabi and Ibn Sina to oud theory, its role in the Uzbek-Tajik Shashmaqom tradition, and contemporary performance schools are examined. The article demonstrates that over its 5,000-year history, the oud has evolved into a universal musical language uniting the cultures of diverse peoples.<strong> </strong></span></p> |
| title | HISTORICAL-EVOLUTIONARY DEVELOPMENT AND ORGANOLOGICAL CHARACTERISTICS OF THE OUD INSTRUMENT IN EASTERN MUSICAL CULTURE |
| topic | oud Eastern music maqam |
| url | https://doi.org/10.5281/zenodo.18857611 |