| _version_ | 1866901666750529536 |
|---|---|
| author | Virtosu, Sebastian |
| author_facet | Virtosu, Sebastian |
| contents | <p>In string quartet performance, the conflict between Pythagorean (melodic) and Just (harmonic) intonation creates a structural residue known as the **Syntonic Comma**. This paper reinterprets this acoustic phenomenon through the **Theory of Global Irreducible Unfolding (TGIU)**. We demonstrate that the "lowered third" and the "expansion of fifths" are not mere aesthetic choices, but the mandatory payment of the **0.783 Entropic Tax ($\eta$)** required to stabilize 3D acoustic manifestations.</p> |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_19078671 |
| institution | Zenodo |
| language | |
| publishDate | 2026 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | The 0.783 Harmonic Friction. Evidence of TGIU Entropic Tax in String Quartet Intonation Systems Virtosu, Sebastian <p>In string quartet performance, the conflict between Pythagorean (melodic) and Just (harmonic) intonation creates a structural residue known as the **Syntonic Comma**. This paper reinterprets this acoustic phenomenon through the **Theory of Global Irreducible Unfolding (TGIU)**. We demonstrate that the "lowered third" and the "expansion of fifths" are not mere aesthetic choices, but the mandatory payment of the **0.783 Entropic Tax ($\eta$)** required to stabilize 3D acoustic manifestations.</p> |
| title | The 0.783 Harmonic Friction. Evidence of TGIU Entropic Tax in String Quartet Intonation Systems |
| url | https://doi.org/10.5281/zenodo.19078671 |