THE ART OF CONDUCTING IN THE PERFORMANCE OF FOLK INSTRUMENTS
Fuente:
Zenodo
Salvato in:
| Autore principale: | |
|---|---|
| Natura: | Recurso digital |
| Pubblicazione: |
Zenodo
2026
|
| Accesso online: | |
| Tags: |
Aggiungi Tag
Nessun Tag, puoi essere il primo ad aggiungerne!!
|
| _version_ | 1866901568218988544 |
|---|---|
| author | Sh.Sh.Isakov |
| author_facet | Sh.Sh.Isakov |
| contents | <p>This scholarly article explores the art of conducting within the context of the Uzbek folk instruments orchestra, focusing on its historical development, theoretical foundations, and practical principles. The role of the conductor in ensuring artistic integrity, ensemble balance, timbre coordination, rhythmic accuracy, and national stylistic expression is examined in depth. The study highlights the unique characteristics of folk instrument performance, including traditional rhythms, maqom elements, melodic structures, and orchestration techniques specific to Uzbek musical heritage. Furthermore, the article discusses contemporary trends such as the expansion of repertoire, innovative performing approaches, and the growing influence of digital technologies in orchestral practice. The research serves as a valuable methodological and theoretical resource for specialists in higher music education, conducting, and folk instrumental performance.</p> |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_19152892 |
| institution | Zenodo |
| language | |
| publishDate | 2026 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | THE ART OF CONDUCTING IN THE PERFORMANCE OF FOLK INSTRUMENTS Sh.Sh.Isakov <p>This scholarly article explores the art of conducting within the context of the Uzbek folk instruments orchestra, focusing on its historical development, theoretical foundations, and practical principles. The role of the conductor in ensuring artistic integrity, ensemble balance, timbre coordination, rhythmic accuracy, and national stylistic expression is examined in depth. The study highlights the unique characteristics of folk instrument performance, including traditional rhythms, maqom elements, melodic structures, and orchestration techniques specific to Uzbek musical heritage. Furthermore, the article discusses contemporary trends such as the expansion of repertoire, innovative performing approaches, and the growing influence of digital technologies in orchestral practice. The research serves as a valuable methodological and theoretical resource for specialists in higher music education, conducting, and folk instrumental performance.</p> |
| title | THE ART OF CONDUCTING IN THE PERFORMANCE OF FOLK INSTRUMENTS |
| url | https://doi.org/10.5281/zenodo.19152892 |