INTERNATIONAL LICENSING FINANCE: STRUCTURING REVENUE MODELS FOR GLOBAL FILM AND TELEVISION CONTENT
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| Natura: | Recurso digital |
| Lingua: | inglese |
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Zenodo
2025
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| _version_ | 1866901086259904512 |
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| author | YUKSEL TASPINAR |
| author_facet | YUKSEL TASPINAR |
| contents | <p><strong><span lang="EN-US">Abstract </span></strong></p> <p><span lang="EN-US">The international circulation of film and television content has transformed the financial foundations of the global entertainment industry. Media content that was once primarily produced for domestic audiences is now designed for international distribution across multiple territories and platforms. This globalization has expanded revenue opportunities for content producers while simultaneously introducing new financial complexities related to licensing agreements, revenue allocation, and cross-border financial management. International licensing finance has therefore emerged as a strategic discipline that integrates financial planning, intellectual property management, and global distribution strategy. This study examines the financial structures that govern international licensing in the film and television industries. The research focuses on how revenue models are designed within licensing agreements to support the global distribution of entertainment content. Particular attention is given to territorial licensing strategies, revenue-sharing mechanisms, and the financial implications of digital distribution platforms. As media companies increasingly rely on international markets to recover production investments, the design of effective licensing finance frameworks becomes essential for sustaining profitability. The analysis demonstrates that successful licensing strategies require a balance between immediate revenue generation and long-term intellectual property value. Licensing agreements must allocate financial risk among producers, distributors, and broadcasters while preserving opportunities for future monetization across emerging platforms. In addition, the rapid expansion of streaming platforms has introduced new financial dynamics that reshape traditional licensing models and influence how revenue is generated across global markets. By integrating perspectives from media economics, entertainment finance, and international distribution strategy, this study proposes a conceptual framework for understanding international licensing finance in the contemporary media landscape. The findings highlight the importance of strategic financial planning in transforming creative content into sustainable global revenue streams. </span></p> |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_19278264 |
| institution | Zenodo |
| language | eng |
| publishDate | 2025 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | INTERNATIONAL LICENSING FINANCE: STRUCTURING REVENUE MODELS FOR GLOBAL FILM AND TELEVISION CONTENT YUKSEL TASPINAR Media Finance, International Licensing, Entertainment Industry Economics, Film Distribution Finance, Television Licensing, Global Media Markets. <p><strong><span lang="EN-US">Abstract </span></strong></p> <p><span lang="EN-US">The international circulation of film and television content has transformed the financial foundations of the global entertainment industry. Media content that was once primarily produced for domestic audiences is now designed for international distribution across multiple territories and platforms. This globalization has expanded revenue opportunities for content producers while simultaneously introducing new financial complexities related to licensing agreements, revenue allocation, and cross-border financial management. International licensing finance has therefore emerged as a strategic discipline that integrates financial planning, intellectual property management, and global distribution strategy. This study examines the financial structures that govern international licensing in the film and television industries. The research focuses on how revenue models are designed within licensing agreements to support the global distribution of entertainment content. Particular attention is given to territorial licensing strategies, revenue-sharing mechanisms, and the financial implications of digital distribution platforms. As media companies increasingly rely on international markets to recover production investments, the design of effective licensing finance frameworks becomes essential for sustaining profitability. The analysis demonstrates that successful licensing strategies require a balance between immediate revenue generation and long-term intellectual property value. Licensing agreements must allocate financial risk among producers, distributors, and broadcasters while preserving opportunities for future monetization across emerging platforms. In addition, the rapid expansion of streaming platforms has introduced new financial dynamics that reshape traditional licensing models and influence how revenue is generated across global markets. By integrating perspectives from media economics, entertainment finance, and international distribution strategy, this study proposes a conceptual framework for understanding international licensing finance in the contemporary media landscape. The findings highlight the importance of strategic financial planning in transforming creative content into sustainable global revenue streams. </span></p> |
| title | INTERNATIONAL LICENSING FINANCE: STRUCTURING REVENUE MODELS FOR GLOBAL FILM AND TELEVISION CONTENT |
| topic | Media Finance, International Licensing, Entertainment Industry Economics, Film Distribution Finance, Television Licensing, Global Media Markets. |
| url | https://doi.org/10.5281/zenodo.19278264 |