| _version_ | 1866901496843468800 |
|---|---|
| author | Scan-the-World |
| author_facet | Scan-the-World |
| contents | Icons are sacred images representing the saints, Christ, and the Virgin, as well as narrative scenes such as Christ's Crucifixion. While today the term is most closely associated with wooden panel painting, in Byzantium icons could be crafted in all media, including marble, ivory, ceramic, gemstone, precious metal, enamel, textile, fresco, and mosaic. In Byzantine theology, the contemplation of icons allowed the viewer direct communication with the sacred figure(s) represented, and through icons an individual's prayers were addressed directly to the petitioned saint or holy figure. Miraculous healings and good fortune were among the requests. |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_20216217 |
| institution | Zenodo |
| language | |
| publishDate | 2026 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | Icon depicting the Virgin and Child Scan-the-World woman child Relief halfbody fragment Icons are sacred images representing the saints, Christ, and the Virgin, as well as narrative scenes such as Christ's Crucifixion. While today the term is most closely associated with wooden panel painting, in Byzantium icons could be crafted in all media, including marble, ivory, ceramic, gemstone, precious metal, enamel, textile, fresco, and mosaic. In Byzantine theology, the contemplation of icons allowed the viewer direct communication with the sacred figure(s) represented, and through icons an individual's prayers were addressed directly to the petitioned saint or holy figure. Miraculous healings and good fortune were among the requests. |
| title | Icon depicting the Virgin and Child |
| topic | woman child Relief halfbody fragment |
| url | https://doi.org/10.5281/zenodo.20216217 |