Parthenon Frieze _ North V, 13
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| Natura: | Recurso digital |
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Zenodo
2026
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| _version_ | 1866901882108116992 |
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| author | Scan-the-World |
| author_facet | Scan-the-World |
| contents | Originally three figures were shown carrying trays of offerings. These tray-bearers are said to have been drawn from the ranks of the metics, foreign craftsmen who had come to Athens to work. A drawing by JAcques Carrey done around 1674 shows the group as they appeared before the explosion of 1687. A tray-bearer (skaphephoros) is a non-citizen resident in Athens (metic) who carries in the procession a tray filled with honeycombs and cakes. Half of the North frieze is in the British Museum and the other half in the Acropolis museum. The total length of the north frieze was 58.70 m. The scenes begin at the northwest corner of the opisthonaos as a continuation of the procession which has already started on the west side, thus running from block N XLVII to block N I. The action develops gradually and from quiet preparation accelerates to a gallop. Ignoring the divisions of the blocks, the horsemen are depicted proceeding in groups of seven or eight, the horses partly overlapping each other. The continuous flow of horses and riders is interrupted only by the marshal (90) on block XXXIV. Yet with variety of garment, of stance and gesture of the most beautiful of the horsemen and with the occasional depiction of a man turning his head to look back, monotony is avoided. The frieze of the Parthenon forms a continuous band with scenes in low relief that encircles the upper part of the cella, the main temple, within the outer colonnade. The theme represented was the procession toward the Acropolis that took place during the Great Panathenaia, the commemoration of the birthday of the goddess Athena.Numbering taken from I. Jenkins, The Parthenon Frieze, 1994. Frieze slabs are marked in Roman numerals, People are marked in arabic numerals. |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_20234750 |
| institution | Zenodo |
| language | |
| publishDate | 2026 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | Parthenon Frieze _ North V, 13 Scan-the-World tray Parthenon frieze north carer Originally three figures were shown carrying trays of offerings. These tray-bearers are said to have been drawn from the ranks of the metics, foreign craftsmen who had come to Athens to work. A drawing by JAcques Carrey done around 1674 shows the group as they appeared before the explosion of 1687. A tray-bearer (skaphephoros) is a non-citizen resident in Athens (metic) who carries in the procession a tray filled with honeycombs and cakes. Half of the North frieze is in the British Museum and the other half in the Acropolis museum. The total length of the north frieze was 58.70 m. The scenes begin at the northwest corner of the opisthonaos as a continuation of the procession which has already started on the west side, thus running from block N XLVII to block N I. The action develops gradually and from quiet preparation accelerates to a gallop. Ignoring the divisions of the blocks, the horsemen are depicted proceeding in groups of seven or eight, the horses partly overlapping each other. The continuous flow of horses and riders is interrupted only by the marshal (90) on block XXXIV. Yet with variety of garment, of stance and gesture of the most beautiful of the horsemen and with the occasional depiction of a man turning his head to look back, monotony is avoided. The frieze of the Parthenon forms a continuous band with scenes in low relief that encircles the upper part of the cella, the main temple, within the outer colonnade. The theme represented was the procession toward the Acropolis that took place during the Great Panathenaia, the commemoration of the birthday of the goddess Athena.Numbering taken from I. Jenkins, The Parthenon Frieze, 1994. Frieze slabs are marked in Roman numerals, People are marked in arabic numerals. |
| title | Parthenon Frieze _ North V, 13 |
| topic | tray Parthenon frieze north carer |
| url | https://doi.org/10.5281/zenodo.20234750 |