THE DIRECTING SCHOOL OF THE SYRDARYA THEATRE (1978–1991): ISSUES OF PRESERVING AND DIGITISING THEATRE HISTORY
Fuente:
Zenodo
Enregistré dans:
| Auteur principal: | Abdumuxtorova Nazokat |
|---|---|
| Format: | Recurso digital |
| Publié: |
Zenodo
2026
|
| Sujets: | |
| Accès en ligne: | |
| Tags: |
Ajouter un tag
Pas de tags, Soyez le premier à ajouter un tag!
|
Documents similaires
DRUID THEATRE’S ECONOMICS: THE FIRST DECADE
par: Shelley Troupe
Publié: (2010)
par: Shelley Troupe
Publié: (2010)
“I’M THE EMPTY STAGE WHERE VARIOUS ACTORS ACT OUT VARIOUS PLAYS” – THEATRE TRANSLATORS’ VIEW OF THEIR WORK
par: Sirkku Aaltonen
Publié: (2023)
par: Sirkku Aaltonen
Publié: (2023)
THE TRANSLATIONAL BODY: THEATRE TRANSLATION AND INTERPRETATION IN BRAZILIAN SIGN LANGUAGE (LIBRAS)
par: Celina Nair Xavier Neta
Publié: (2023)
par: Celina Nair Xavier Neta
Publié: (2023)
From Dust to Digital: Ten Years of the Endangered Archives Programme
Publié: (2017)
Publié: (2017)
Linguaggi dal margine
par: MONTORFANO, BEATRICE
Publié: (2024)
par: MONTORFANO, BEATRICE
Publié: (2024)
Shakespeare and Revision
par: Wells, Stanley
Publié: (2023)
par: Wells, Stanley
Publié: (2023)
Digital Presentation and Preservation of Cultural and Scientific Heritage
Publié: (2022)
Publié: (2022)
The re-birth of Shakespeare in India: celebrating and Indianizing the Bard in 1964
par: Rosa M. García-Periago
Publié: (2012)
par: Rosa M. García-Periago
Publié: (2012)
Contemporary Irish Theatre
par: McIvor, Charlotte, et autres
Publié: (2024)
par: McIvor, Charlotte, et autres
Publié: (2024)
Resetting the Stage
par: Klaic, Dragon
Publié: (2018)
par: Klaic, Dragon
Publié: (2018)
Mit gutem Recht erinnern. Gedanken zur Änderung der rechtlichen Rahmenbedingungen des kulturellen Erbes in der digitalen Welt
Publié: (2018)
Publié: (2018)
DESACRALISING SHAKESPEARE’S “WORD” BY MEANS OF CULTURAL TRANSLATION/TRANSPOSITION
par: José Roberto O’Shea
Publié: (2016)
par: José Roberto O’Shea
Publié: (2016)
Remote Capture
Publié: (2018)
Publié: (2018)
A Vida dos Padres do Jura e a subsistência dos monges de Condat
par: Matheus Coutinho Figuinha
Publié: (2015)
par: Matheus Coutinho Figuinha
Publié: (2015)
“Mine ear is much enamour’d of thy note:” Shakespeare's intercultural dream in the Indian subcontinent
par: Sofía Muñoz Valdivieso
Publié: (2009)
par: Sofía Muñoz Valdivieso
Publié: (2009)
Chapter 10 Shakespeeding into Macbeth and The Tempest
par: Semler, Liam E.
Publié: (2020)
par: Semler, Liam E.
Publié: (2020)
Independent Theatre in Contemporary Europe
Publié: (2017)
Publié: (2017)
THINKING THEATRE. ENHANCING CHILDREN’S THEATRICAL EXPERIENCES THROUGH PHILOSOPHICAL ENQUIRY
par: Matthew Reason
Publié: (2008)
par: Matthew Reason
Publié: (2008)
“WHAT GHOST ARE YOU GHOULIN’ FOR AROUND HERE?”1 THE HAUNTED PRESENCES OF THEATRE AND TRANSLATION
par: Alinne Balduino Pires Fernandes
Publié: (2016)
par: Alinne Balduino Pires Fernandes
Publié: (2016)
Pesti magánszínházak a két világháború között. Transzatlanti hatások, lokális érdekvédelem
par: Heltai, Gyöngyi
Publié: (2025)
par: Heltai, Gyöngyi
Publié: (2025)
Le Théâtre de Dumas père, entre héritage et renouvellement
Publié: (2019)
Publié: (2019)
Bastard or Playmate?
Publié: (2013)
Publié: (2013)
Figure 1 from: Martellos S, Seggi L, Trabucco R (2026) The dataset of the lichen collection "Abramo Massalongo" preserved at the Natural History Museum of Venice. Biodiversity Data Journal 14: e184587. https://doi.org/10.3897/BDJ.14.e184587
par: Martellos, Stefano, et autres
Publié: (2026)
par: Martellos, Stefano, et autres
Publié: (2026)
Some observations of head capsules in chironomid larvae from a moderately contaminated small karstic stream
par: Marle, Pierre, et autres
Publié: (2018)
par: Marle, Pierre, et autres
Publié: (2018)
Vjesnik Istarskog Arhiva
Publié: (2025)
Publié: (2025)
TCS and TCS2 (Lightboard) Technical Documentation
par: Bertenshaw, David Ronald
Publié: (2026)
par: Bertenshaw, David Ronald
Publié: (2026)
Drammaturgie originali per il teatro di figura contemporaneo. Il Macbeth all'improvviso di Gigio Brunello e Gyula Molnàr
par: Di Fazio, Francesca
Publié: (2021)
par: Di Fazio, Francesca
Publié: (2021)
LLM-Based Transcription of Botanical Catalogues for Digital Access to Special Collections
par: Karunakularatnam, Ishaipiriyan, et autres
Publié: (2025)
par: Karunakularatnam, Ishaipiriyan, et autres
Publié: (2025)
Figure 2 from: Novikov A (2026) herbUA Collectors: An open-source framework for online publication of the herbarium collector-centric data. Biodiversity Data Journal 14: e185211. https://doi.org/10.3897/BDJ.14.e185211
par: Novikov, Andriy
Publié: (2026)
par: Novikov, Andriy
Publié: (2026)
Emotional Excess on the Shakespearean Stage
par: Escolme, Bridget
Publié: (2019)
par: Escolme, Bridget
Publié: (2019)
Street theatre and the production of postindustrial space
par: Calder, David
Publié: (2019)
par: Calder, David
Publié: (2019)
Anthropocosmic Theatre
par: Núñez, Nicolás
Publié: (2019)
par: Núñez, Nicolás
Publié: (2019)
Theatre and War
par: Dinesh, Nandita
Publié: (2018)
par: Dinesh, Nandita
Publié: (2018)
Passionate Amateurs - Theatre, Communism and Love
par: Ridout, Nicholas
Publié: (2018)
par: Ridout, Nicholas
Publié: (2018)
From directions to descriptions: Reading the theatrical Nebentext in Ben Jonson’s Workes as an authorial outlet
par: David J. Amelang
Publié: (2017)
par: David J. Amelang
Publié: (2017)
Chapter Intermittenze virtuose. Le istituzioni per i beni archeologici, artistici, archivistici e librari
par: Cervini, Fulvio, et autres
Publié: (2024)
par: Cervini, Fulvio, et autres
Publié: (2024)
Major Experiments in the Theatre of Girish Karnad: A Case Study
par: Satish Kumar Prajapati
Publié: (2016)
par: Satish Kumar Prajapati
Publié: (2016)
Spieltexte der Comoedianten: Teil 1: Deutsches ›Internationaltheater‹ aus dem Kodex Ia 38.589 der Wienbibliothek
Publié: (2021)
Publié: (2021)
Strindberg on Drama and Theatre
par: Törnqvist, Egil, et autres
Publié: (2010)
par: Törnqvist, Egil, et autres
Publié: (2010)
Ornamenten van het vergeten
Publié: (2010)
Publié: (2010)
Documents similaires
-
DRUID THEATRE’S ECONOMICS: THE FIRST DECADE
par: Shelley Troupe
Publié: (2010) -
“I’M THE EMPTY STAGE WHERE VARIOUS ACTORS ACT OUT VARIOUS PLAYS” – THEATRE TRANSLATORS’ VIEW OF THEIR WORK
par: Sirkku Aaltonen
Publié: (2023) -
THE TRANSLATIONAL BODY: THEATRE TRANSLATION AND INTERPRETATION IN BRAZILIAN SIGN LANGUAGE (LIBRAS)
par: Celina Nair Xavier Neta
Publié: (2023) -
From Dust to Digital: Ten Years of the Endangered Archives Programme
Publié: (2017) -
Linguaggi dal margine
par: MONTORFANO, BEATRICE
Publié: (2024)