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| Format: | Recurso digital |
| Langue: | anglais |
| Publié: |
Zenodo
2016
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| Accès en ligne: | https://doi.org/10.5281/zenodo.3820409 |
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| _version_ | 1866901740248367104 |
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| author | Monterrubio Ibáñez, Lourdes |
| author_facet | Monterrubio Ibáñez, Lourdes |
| contents | <p>The present article aims to show how the consolidation of the cinematic form of the essay film in Jean-Luc Godard’s work is a consequence of the evolution of his experience in the cinéma militant, which emerges from the political and social circumstances that caused May 68. In the case of the filmmaker it is materialised through his participation in the Dziga Vertov Group. The defining elements of the group’s filmic experience – the supremacy of montage, the dialectics between images and sounds and the relevance of the spectator as an active part of a dialogic practice – are the same that bring about the essayistic form when the film is enunciated from the author’s subjectivity. With the analysis of Letter to Jane this paper tries to demonstrate how the emergence of subjectivity in the revolutionary cinematic practice allows the appearance of self-reflexivity and the thinking process that define the essay film.</p> |
| format | Recurso digital |
| id | zenodo_https___doi_org_10_5281_zenodo_3820409 |
| institution | Zenodo |
| language | eng |
| publishDate | 2016 |
| publisher | Zenodo |
| record_format | zenodo |
| spellingShingle | From Militant Cinema to Essay Film. Letter to Jane by Jean-Luc Godard and Jean- Pierre Gorin Monterrubio Ibáñez, Lourdes Militant cinema Essay film Dziga Vertov Group Jean-Luc Godard Jean-Pierre Gorin <p>The present article aims to show how the consolidation of the cinematic form of the essay film in Jean-Luc Godard’s work is a consequence of the evolution of his experience in the cinéma militant, which emerges from the political and social circumstances that caused May 68. In the case of the filmmaker it is materialised through his participation in the Dziga Vertov Group. The defining elements of the group’s filmic experience – the supremacy of montage, the dialectics between images and sounds and the relevance of the spectator as an active part of a dialogic practice – are the same that bring about the essayistic form when the film is enunciated from the author’s subjectivity. With the analysis of Letter to Jane this paper tries to demonstrate how the emergence of subjectivity in the revolutionary cinematic practice allows the appearance of self-reflexivity and the thinking process that define the essay film.</p> |
| title | From Militant Cinema to Essay Film. Letter to Jane by Jean-Luc Godard and Jean- Pierre Gorin |
| topic | Militant cinema Essay film Dziga Vertov Group Jean-Luc Godard Jean-Pierre Gorin |
| url | https://doi.org/10.5281/zenodo.3820409 |